Her work defines itself by a series of experiments arising from her relationship to drawing and the notions of appearance and disappearance. Through ephemeral interventions, in situ installations and performances, she tries to establish a dialogue with the place, and between the public and the work. Her installations become integrated into the architecture and are conceived for the place where they are presented. Working with economy of means, the imperceptible and the invisible are in the heart of her research wich reflect an invisible subjacent reality. She intends to shape this virtuality, prioritising the use of "low technology".